Sunday, 21 July 2013

Crete Bioclimatic School Competition Entry / Kamvari Architects


Bringing harmony and sense to the surrounding context, the proposal by Kamvari Architects for the Crete Bioclimatic School creates a simple linear movement across the site, looking inwards towards the heart of the school. This subtle exterior introduces excitement and fun to the interior while giving the school an impression of enclosure and security, but sustaining the sense of its landscape setting.

Source:
http://ad009cdnb.archdaily.net/wp-content/uploads/2013/05/51914843b3fc4b8979000050_crete-bioclimatic-school-competition-entry-kamvari-architects_facade_spatial_analysis_2-1000x707.jpg
http://assets.inhabitat.com/wp-content/blogs.dir/1/files/2013/05/Kamvari-Architects-Crete-BioclimaticSchool2-537x342.jpg
http://www.archdaily.com/371851/crete-bioclimatic-school-competition-entry-kamvari-architects/




Gehry’s design, which is intended to promote cross cultural understanding and appreciation for Chinese contemporary art, aims at setting a new standard for 21st century Chinese architecture. Perhaps the most defining element of the design is the “translucent stone” facade, which is made of a new type of glass developed by Gehry Partners that is said to have the qualities of jade.

The façade is clad with a new material developed by Gehry Partners – translucent stone. Evocative of the most precious Chinese materials, it has the qualities of jade. Of all the materials we explored, we found glass to be the most transcendent and symbolic of Chinese landscape paintings, of moving water, of the mountains covered in mist. It has gravitas that creates an emotional impact on visitors. It gives the building a stately and noble appearance, appropriate for a national museum.

The translucent stone is part of the innovative sustainable façade concept that incorporates a ventilated airspace to reduce the heating and cooling loads of the building. In addition, the airspace is used to display art banners and projections, which provides the ability for the building’s façade to change and remain current far into the future, even becoming a canvas for artist projects.

Source:
http://www.archdaily.com/402948/national-art-museum-of-china-entry-gehry-partners/
http://ad009cdnb.archdaily.net/wp-content/uploads/2013/07/51e575dde8e44ec3fa000100_national-art-museum-of-china-entry-gehry-partners_namoc_gehry-02_1-528x315.jpg
http://static.dezeen.com/uploads/2013/07/Frank-Gehry-NAMOC-competition-entry-12.jpg
http://www.bustler.net/images/news/namoc_gehry-24.jpg

Bras Basah MRT





Bras Basah MRT station is in the heart of the historic Civic District in Singapore. With a single strategy, the design resolves two conflicting requirements – the very deep station required a visual connection to the exterior to enhance the travel experience for the commuters; while the historic district and park location required a station that disappeared into the landscape. The solution was a station roof that doubles up as a skylight and landscape element – a water covered glass skylight. Viewed from the park, it is a reflection pool, from the station platform, it is an immense skylight


Source: http://www.archdaily.com/40802/bras-basah-rapid-transit-station-woha/
http://c1038.r38.cf3.rackcdn.com/group1/building4658/media/083%20PBH%2019%20med.jpg








Building As a Body is an art installation by Grace Tan and Randy Chan. The installation is a veil, composed of a matrix of dots and lines which envelope the entire façade of the building. The Substation is personified, and the veil articulates the opposing and yet inter-connecting themes of concealing and revealing.

The installation is commissioned by the National Heritage Board’s Precinct Development Unit and the Singapore Art Museum.
The project was conceived out of various conversations between architect Randy Chan and an inter-disciplinary artist Grace Tan, to investigate the history, function, and presence of The Substation. The installation is a collaboration between the National Heritage Board’s Precinct Development Unit and the Singapore Art Museum, for the purpose of encouraging local artists to create public artworks and making art accessible to the public within the district. The National Heritage Board’s Precinct Development Unit was established to energise the streetscape of the Bras Basah and Bugis precinct, and to facilitate the transformation of the precinct into a vibrant arts and culture district.



Source:
http://www.substation.org/event/building-as-a-body/
http://media.timeoutsingapore.com/contentFiles/image/2012/1-january/art/30-art-building-as-a-body-482x298.jpg
http://dope.sg/wp-content/uploads/2012/04/6933360779_66de74fac5_z-550x366.jpg